 |
This
collection was digitized with funding from the Institute of
Museum and Library Services. |
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|
Overview |
| Title: |
Enrique
Labrador Ruiz Collection, 1930-2001 |
| Collection
No: |
CHC0111 |
| Extent: |
4.75
linear ft. (12 boxes) |
| Repository: |
Cuban
Heritage Collection, University of Miami Libraries |
| Location: |
3421,
34E3-4 |
| Abstract: |
The
Enrique Labrador Ruiz Collection consists of the manuscripts,
correspondence, and clippings of Enrique Labrador
Ruiz (1902-1991), Cuban journalist, novelist, essayist,
short story writer, and poet. |
| |
|
| Administrative
Information |
| Acquisition
Information: |
Gift
of María Labrador, 1992 |
| Processed
by: |
Arabelis
Ureña and edited by Esperanza B. de Varona, April
1995; Revised by María R. Estorino, March 2002 |
| Encoded
by: |
Pedro
A. Figueredo and Jeff Barry, March 2002 |
| Access
Restrictions: |
This
collection is unrestricted. |
| Preferred
Citation: |
Enrique
Labrador Ruiz Collection, Cuban Heritage Collection,
University of Miami Libraries, Coral Gables, Florida. |
| Copyright
Statement: |
©
2002 University of Miami. All rights reserved. Permission
to publish materials must be obtained from the Director
of the Cuban Heritage Collection. |
| |
| Biographical
Note |
| Enrique
Labrador Ruiz, Cuban journalist, novelist, essayist,
short story writer, and poet, was born in Sagua la
Grande, Cuba on 11 May 1902. He was a member of the
Academia Cubana de la Lengua and also of the Academia
Norteamericana de la Lengua Española. Labrador Ruiz
was a well-learned and traveled man who created his
own style of writing novels which he called gaseiforme.
In 1933, he published his first novel in this style,
El laberinto de sí mismo, which forms a trilogy
with Cresival (1936) and Anteo (Novela
gaseiforme)(1940). With his collection of short
stories El gallo en el espejo (1953), he established
his cuentería cubiche style.
In
1976, Labrador Ruiz and his wife María (Cheché) were
exiled from Cuba. After residing in Spain and Venezuela,
they moved to and maintained their permanent residence
in Miami, Florida. During his years of exile, Labrador
Ruiz wrote for many literary journals and newspapers,
including Réplica (Miami), El Diario de
Caracas, and Linden Lane Magazine.
Enrique
Labrador Ruiz received numerous awards and honors
for his works of literature. In Cuba, Conejito
Ulán won the Hernández Catá Prize in 1946, and
in 1950 his novel Sangre hambrienta won the
Premio Nacional de Literatura. Some of his most important
works are: El gallo en el espejo (1953),
El pan de los muertos (1958), and his final work,
Cartas a la carte (1991).
Enrique
Labrador Ruiz died in Miami on 10 November 1991.
|
| |
| Scope
and Content Note |
The Enrique Labrador Ruiz Collection is organized
into five series and consists primarily of the manuscripts
of his articles and essays written in exile and includes
that of his final book, Cartas a la carte
(1991) which can be found in box 5, folders 444 and
445. The bulk of the material of this collection is
in Series I: Works, n.d., 1933-2001 (bulk dates 1977-1987).
There are many photocopies of his articles as they
were published in various publications. A small collection
of correspondence, photographs, and graphic materials
can also be found in this collection, along with programs
of events held in the 1980s and 1990s in honor of
Labrador Ruiz. |
| |
| Series
Descriptions |
|
Series I: Works, n.d., 1933-2001
(bulk dates 1977-1987)
Organization: Sub-series
A. Articles, Essays and Short Stories, n.d., 1955-1992
with Sub-sub-series 1. Manuscripts, n.d., 1977-1984
and Sub-sub-series 2. Printed, n.d., 1955-1992; Sub-series
B. Books, 1933, 1958, 1978-198- with Sub-sub-series
1. Manuscripts, 1978-198- and Sub-sub-series 2. Photocopies,
1933, 1958; Sub-series C. Notes, ca. 1979; and Sub-series
D. About Enrique Labrador Ruiz, n.d., 1938-2001
Extent: 463 folders (Boxes 1-7)
Series
I includes the manuscripts of many of Enrique Labrador
Ruiz's literary works, essays, short stories, and
books. The manuscript of his last book, Cartas
a la carte (1991) is found in this series. Other
materials include photocopies and clippings of his
newspaper and magazine articles and of those written
about him.
This
series contains letters written and received by Labrador
Ruiz, the bulk of which were written to him by literary
figures including Stefan Baciu, Guillermo Francovich,
and Gastón Baquero.
Series
III includes photographs and caricatures of Enrique
Labrador Ruiz, his wife María (Cheché) and others.
It also contains prints given to Labrador Ruiz, including
one by Ramón Carulla and two by Alejandro Anreus.
The Topical Files series consists
of awards, conference programs, homages, interviews,
pamphlets, and speeches of Labrador Ruiz. It also
contains radio broadcasts authored by Juana Rosa Pita.
Amongst the speeches in this series is "Novelistas
de una sola voz," read by Labrador Ruiz when
he became a member of the Academia Cubana de la Lengua
on 18 May 1972.
Series V includes Labrador Ruiz's
curriculum vitae, a menu with the introduction authored
by Labrador Ruiz, and clippings and a memorial card
of his funeral.
|
| |
| Container
List |
|
Series I: Works, n.d.,
1933-2001 (bulk dates 1977-1987) |
|
|
Sub-series
A. Articles, Essays and Short Stories, n.d., 1955-1992 |
|
|
|
Sub-sub-series
1. Manuscripts, n.d., 1977-1984 |
| Box |
Folder |
|
Folder
Title |
| 1 |
1 |
|
A Caín, n.d. |
|
2 |
|
A Fidel, n.d. |
|
3 |
|
A la Condesa de Merlín, n.d. |
|
4 |
|
A la muerte propia, n.d. |
|
5 |
|
A la periplaneta americana, n.d. |
|
6 |
|
A la verdad natida, n.d. |
|
7 |
|
A los bastiones, n.d. |
|
8 |
|
A los días iguales, n.d. |
|
9 |
|
A mil y una, 198- |
|
10 |
|
A mis pesadillas, n.d. |
|
11 |
|
A nobeles noveles, 198- |
|
12 |
|
A una cáscara de nuez, n.d. |
|
13 |
|
Absorción del prisma, n.d. |
|
14 |
|
Acto de servicio, n.d. |
|
15 |
|
[Adigio Benítez], n.d. |
|
16 |
|
[Agua en Tierra de Fuego], n.d. |
|
17 |
|
Agua para el Chasqui, n.d. |
|
18 |
|
[Agustín Acosta], 1979 |
|
19 |
|
Al camello negro, 198- |
|
20 |
|
Al Hada Biblina, n.d. |
|
21 |
|
Al horno pineal, n.d. |
|
22 |
|
Al Porfirio, n.d. |
|
23 |
|
Al Señor de los Milagros, n.d. |
|
24 |
|
Al tirabuzón inútil, n.d. |
|
25 |
|
Al vidrio hipnotizado, n.d. |
|
26 |
|
[Alfonso Golland], n.d. |
|
27 |
|
[Alfredo Mario Ferreiro], n.d. |
|
28 |
|
[Alfredo L. Palacios], 1980 |
|
29 |
|
[Los Ángeles], n.d. |
|
30 |
|
Angileptol, n.d. |
|
31 |
|
Los anillos de Saturna, n.d. |
|
32 |
|
Apócrifos, n.d. |
|
33 |
|
El árbol de oro, n.d. |
|
34 |
|
Arpiedades, n.d. |
|
35 |
|
Astuto carnaval, n.d. |
|
36 |
|
Asuntos de los carpinteros, n.d. |
|
37 |
|
Bajo el puente, n.d. |
|
38 |
|
Baratillo, n.d. |
|
39 |
|
Bascer: S. Teijoo, n.d. |
|
40 |
|
La bomba de neutrones, 1977 |
|
41 |
|
Bonao (Elena), n.d. |
|
42 |
|
Brillo de Brull, n.d. |
|
43 |
|
Buen camino, Ramón, n.d. |
|
44 |
|
Calidad del destierro, n.d. |
|
45 |
|
Calie: ses, n.d. |
|
46 |
|
[Calvey Cassey], n.d. |
|
47 |
|
[Cambises López], n.d. |
|
48 |
|
La caña vacía, n.d. |
|
49 |
|
[Carlos Enríquez], 198- |
|
50 |
|
Carrere, de ojos, uno café y otro leche..., 198- |
|
51 |
|
Carta a comtagorda, n.d. |
|
52 |
|
Carta a Dios, n.d. |
|
53 |
|
Carta a la afectación, n.d. |
|
54 |
|
Carta a la carta, 198- |
|
55 |
|
Carta a la emvolia de la fe, n.d. |
|
56 |
|
Carta a la mala metáfora, n.d. |
|
57 |
|
Carta a la necedad, n.d. |
|
58 |
|
Carta a la nostalgia del porvenir, n.d. |
|
59 |
|
Carta a la pereza, n.d. |
|
60 |
|
Carta a los mil y uno, n.d. |
|
61 |
|
Carta a los peólozos, n.d. |
|
62 |
|
Carta a los Reyes Magos, n.d. |
|
63 |
|
Carta a Minervo y Eufaula, n.d. |
|
64 |
|
Carta a unas cartas de amor, n.d. |
|
65 |
|
Carta a varias muertes, n.d. |
|
66 |
|
Carta al Chasqui, n.d. |
|
67 |
|
Carta al coine, 198- |
|
68 |
|
Carta al ego que me huye, n.d. |
|
69 |
|
Carta al hablantín, n.d. |
|
70 |
|
Carta al trono vacío, n.d. |
|
71 |
|
Carta boba, n.d. |
|
72 |
|
Carta cifrada, n.d. |
|
73 |
|
Carta de crédito, n.d. |
|
74 |
|
Carta de intención, n.d. |
|
75 |
|
Carta de vigilín, n.d. |
|
76 |
|
Carta del prisionero, n.d. |
|
77 |
|
Carta en que me defienden no sé por que..., n.d. |
|
78 |
|
Carta final al fideísmo, n.d. |
|
79 |
|
Carta gazmoña, n.d. |
|
80 |
|
Carta marcada, n.d. |
|
81 |
|
Carta palmenta, 198- |
|
82 |
|
Carta perdida, n.d. |
|
83 |
|
Carta sorprendida, n.d. |
|
84 |
|
Carta velada, n.d. |
|
85 |
|
Cartapel al cartapacio, n.d. |
|
86 |
|
Cartas a Fina, n.d. |
|
87 |
|
Cartas a las cartas, n.d. |
|
88 |
|
Cartas a las penas del alma, n.d. |
|
89 |
|
Cartas que no se perdieron o que no llegaron, n.d. |
|
90 |
|
Cartas son cartas, n.d. |
|
91 |
|
Casos día a día, 1978? |
|
92 |
|
Castalia, n.d. |
|
93 |
|
Caviar, n.d. |
|
94 |
|
[Cayetano Ripol], n.d. |
|
95 |
|
Cercano a los 80 sigue disparando, n.d. |
|
96 |
|
Cerumen, n.d. |
|
97 |
|
[Chinitos en Madrid], 1976 |
|
98 |
|
Ciegos, n.d. |
|
99 |
|
Cielo ciego, n.d. |
|
100 |
|
Cienfuegos a la vista, 1981 |
|
101 |
|
Cinco foses lenes, n.d. |
|
102 |
|
[Clara Cordura], n.d. |
|
103 |
|
Codificación de la estupidez, 1981? |
|
104 |
|
Cola de paja, n.d. |
|
105 |
|
Columna que algo queda: Las medias de Dios, n.d. |
|
106 |
|
[¿Cómo lo presentaré?], n.d. |
|
107 |
|
Compañeros, n.d. |
|
108 |
|
Comprometido, n.d. |
|
109 |
|
Con Mario Carreño, n.d. |
|
110 |
|
Concepto básico, n.d. |
|
111 |
|
Concurso de lobos pastores, 1981 |
|
112 |
|
En congoja, 1982? |
|
113 |
|
[El congruado], n.d. |
|
114 |
|
Conocidos y por conocer, n.d. |
|
115 |
|
Contralejo, 1982 |
|
116 |
|
Corolos, n.d. |
|
117 |
|
Cuadrar un cuento, n.d. |
|
118 |
|
El Cuerpo sufre, la calavera ríe, n.d. |
|
119 |
|
Cuevas, el que venció Pedernales, 1981 |
|
120 |
|
Cuñotos, 1978 |
|
121 |
|
De corte y cortijo, n.d. |
|
122 |
|
Declaraciones, n.d. |
|
123 |
|
Deicida, 1981 |
|
124 |
|
Del vivir, del sentir, 1979 |
|
125 |
|
Desangrado de letras, n.d. |
| 2 |
126 |
|
[Desentierran el castillo donde salomé pidió la cabeza
de San Juan], n.d. |
|
127 |
|
Destino paradoja, n.d. |
|
128 |
|
[El día de idioma], n.d. |
|
129 |
|
Diálogo de libros, n.d. |
|
130 |
|
Diálogo de mudos, 1981? |
|
131 |
|
Días de los enamorados, n.d. |
|
132 |
|
Días más prósperos, n.d. |
|
133 |
|
Díaz Seijas, n.d. |
|
134 |
|
Dientes de perro, n.d. |
|
135 |
|
Dios está en los pucheros, n.d. |
|
136 |
|
Documentos marginales, 197-? |
|
137 |
|
Don Pedro, n.d. |
|
138 |
|
Donaciones, n.d. |
|
139 |
|
Dos filósofos, n.d. |
|
140 |
|
[Dostoievski], 1981 |
|
141 |
|
Echar un pulso, n.d. |
|
142 |
|
Efraín Tomás B., n.d. |
|
143 |
|
Elena Mederos, n.d. |
|
144 |
|
Elena Pabellón, n.d. |
|
145 |
|
[Emilio Cancio Bello], 1981 |
|
146 |
|
En torno a las vanguardias, n.d. |
|
147 |
|
Engarces, grampines, n.d. |
|
148 |
|
Enlace de manos, n.d. |
|
149 |
|
[Errores], n.d. |
|
150 |
|
Esa puerta, n.d. |
|
151 |
|
La escoba de cristal, n.d. |
|
152 |
|
[Escritor cubano en el exilio], 1979? |
|
163 |
|
Escritores en la sombra, n.d. |
|
154 |
|
Escudilla de Diógenes, 1979? |
|
155 |
|
Espuma de olvidos, n.d. |
|
156 |
|
Esquinas de Miami, n.d. |
|
157 |
|
¿Estos
son los ojos del hermano eterno?, n.d. |
|
158 |
|
[Exilio], 1979? |
|
159 |
|
[Ezequiel Muthar], 1981 |
|
160 |
|
Felicia no es así, n.d. |
|
161 |
|
Fermientieron y sombrero de copa, n.d. |
|
162 |
|
[Fernando Ortíz], 1981 |
|
163 |
|
Ferretreque, 1980? |
|
164 |
|
Un fin bien apagado, n.d. |
|
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